She developed her innovative fingerstyle acoustic guitar technique while studying music theory and composition at New York University. Williams has released two previous albums, Unwind (2018) and Urban Driftwood (2021), where she introduced unique approaches, such as playing kalimba and guitar simultaneously. Her music also incorporates instruments like the kora, harp guitar and banjo. Despite her use of folk instruments, she resists being categorized, valuing creative freedom over conformity. Her latest record, Acadia, is out from Nonesuch Records.

Exhibition: Stafford Smith & Ritsu Katsumata: Ancestry in Progress

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.

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Exhibition: Stafford Smith & Ritsu Katsumata: Ancestry in Progress

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.