She developed her innovative fingerstyle acoustic guitar technique while studying music theory and composition at New York University. Williams has released two previous albums, Unwind (2018) and Urban Driftwood (2021), where she introduced unique approaches, such as playing kalimba and guitar simultaneously. Her music also incorporates instruments like the kora, harp guitar and banjo. Despite her use of folk instruments, she resists being categorized, valuing creative freedom over conformity. Her latest record, Acadia, is out from Nonesuch Records.

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Music Student and Faculty Recital

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.

Artist Marie Cochran reimagines the novel "Those We Thought We Knew," by David Joy that explores themes of generational trauma, and betrayal through the story of a young Black artist who returns to her ancestral home. This exhibition is presented in collaboration with Bucknell's Critical Black Studies program.

Participation is limited to currently enrolled Bucknell students.

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.

Artist Marie Cochran reimagines the novel "Those We Thought We Knew," by David Joy that explores themes of generational trauma, and betrayal through the story of a young Black artist who returns to her ancestral home. This exhibition is presented in collaboration with Bucknell's Critical Black Studies program.

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.

Artist Marie Cochran reimagines the novel "Those We Thought We Knew," by David Joy that explores themes of generational trauma, and betrayal through the story of a young Black artist who returns to her ancestral home. This exhibition is presented in collaboration with Bucknell's Critical Black Studies program.

Rooke Chapel's choir will be practicing every Sunday morning at 9:30am lead by Dr. Caleb Hopkins.

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.

Artist Marie Cochran reimagines the novel "Those We Thought We Knew," by David Joy that explores themes of generational trauma, and betrayal through the story of a young Black artist who returns to her ancestral home. This exhibition is presented in collaboration with Bucknell's Critical Black Studies program.

In 2017 they were the first string quartet to perform in the big hall of the Elbphilharmonie in Hamburg, Germany. In 2020, the quartet became artistic directors of the string quartet festival Vibre! Quatuors à Bordeaux as well as The Bordeaux International String Quartet Competition. In addition, the quartet members are founders and artistic directors of the Saint-Paul-de-Vence Festival. Since autumn 2023, they have taught at the École Normale de Musique de Paris. When at the Weis Center, they will perform:Haydn - String Quartet in F Major, Op. 77 Beethoven - String Quartet No. 2 in G Major Brahms - String Quartet No. 2 in A Minor

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Join the Griot Institute for an exciting experience with West African drumming! Lessons will be held weekly on Mondays throughout the semester. This opportunity is free of charge! No experience necessary and instruments are provided. Register by emailing griot@bucknell.edu (mailto:griot@bucknell.edu).

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Gina Siepel: To Understand a Tree encapsulates 6 years in communion with a single tree. Bridging art, ecology, and queer experience, the project approaches wood as a living being and explores interconnection, habitat, and environmental responsibility. Organized by the Museum for Art in Wood and curated by Jennifer-Navva Milliken.