She developed her innovative fingerstyle acoustic guitar technique while studying music theory and composition at New York University. Williams has released two previous albums, Unwind (2018) and Urban Driftwood (2021), where she introduced unique approaches, such as playing kalimba and guitar simultaneously. Her music also incorporates instruments like the kora, harp guitar and banjo. Despite her use of folk instruments, she resists being categorized, valuing creative freedom over conformity. Her latest record, Acadia, is out from Nonesuch Records.

Exhibition: November 5 – December 15Lecture & Opening Reception: November 5, 5:00 PMSmith (visual art) and Katsumata (electric violin) present their collaborative practice weaving image, sound, history, and memory. Smith draws from comic books, manga, surrealism, Ukiyo-e, anime, and pop culture to examine cultural narratives, while Katsumata creates vivid soundscapes blending classical training with experimental composition. Together, their work explores ancestry, cultural identity, and the stories that connect us.

Generative AI tools are a game-changer for complex data science projects. They can accelerate a project from 0 to 80% complete in a remarkably short amount of time, but the final 20% still demands the skills of a human data scientist to create a robust, nuanced, and context-specific solution. In this talk, I will walk through several projects I have completed with the help of large language models. With each project, I will show you how to construct tasks for AI and which components require human expertise. My goal is to help you think through the role of the human in data science work and the AI skills you should be developing while you are here at Bucknell and how these skills will prepare you to adapt and stay ahead in the rapidly evolving world after you leave Bucknell.